She liked to watch him play the violin. She wasn't sure why - but she could not truthfully imagine anything more pleasurable than crouching down near to where he stood in all his rag-festooned glory, the ground at his feet littered with old newspaper and discarded plastic cups - and just listening , her bright eyes fixed on the long, crooked nose bent toward his instrument and the lengthy shadow he cast, set to trembling by the flickering light of passing subway cars.
It gave her a curious sense of ownership, and of pride, to know that she alone, out of all the people who had ever heard this music, understood the melodies that this man wove like tapestries of light over the deafened ears of men and women who rushed past day in and day out. She, alone, knew that to fling coins into the battered violin case sitting open beside him with that careless flick of the benevolent, alm-giving wrist would be as much of an insult to him as a slap in the face - perhaps moreso.
He was not an old man, but nor was he young like her - his face was pock-marked and bristly, his hair wild and dark, graying only faintly at the temples and casting his brilliantly green eyes into the sharpest relief. He was tall and thin, almost ascetic of build - he wore a tattered coat of dark green over layers and layers of ancient, thinning sweaters. His body swayed, to and fro, back and forth as he drew his bow across the strings, like a metronome to his own music - and sometimes when she watched him, she could swear that she saw him spinning fire from his fingertips, in thick, hot webs that wrapped around him to lend to him a glow of such unsappable vitality that it took her breath away.
She came, every chance she had, to lean against the back of this rotting bench in this fetid subway station, to listen to him with the same intention one has when refueling a car - the intention to render oneself able to carry on. Sometimes after leaving, she felt as though she could stay awake for weeks, if only she could carry that gorgeous flame of melody with her when she went.
She would never ask him for his story. She had never even so much as advertised her presence to him, but she thought that he must know she was there - and more, she thought that he probably knew why. He seemed to know more about her from a few simple glances exchanged at week-long intervals than any person she had ever verbally confided in. It was an odd thought, too, that she should feel pride in this - that her closest friend was a tramp playing music on a broken-down violin in a subway station, with whom she had never exchanged so much as a word. But the fact was there - and it made her proud.
She left with her chin up, emerging onto the snowy sidewalk with one hand on the rail, the other pulling her scarf tighter about her neck. The street was lit by the long train of golden window displays that meant Christmas was on its inevitable way; small, electric Santa Clauses ho-ho-ho'd every few feet, ringing their bells and smiling, all in the same warm, inviting, and very plastic manner. She stood still for a moment, taking it all in - and then, siezed by a sudden, violent whim, she pushed through the milling crowd of businessmen and shoppers, toward yet another golden window above which was a sign proclaiming, "Pritchett's Musical Supply, Ltd.," in large, blinking red and green letters.
A small bell over the door punctuated her entry, serving as a period to end the sentence of the street behind her - and the vague smile of the fresh-faced youth behind the counter served as the beginning of the sentence infront of her.
"C'n I 'elp you, miss?" he asked in a polite, practiced tone - she wondered for a moment who had mended the old newsboy's cap on his head, and why it should sieze her attention so.
"I'm looking for a violin, please," she answered, dragging her eyes to his, though she could not look long, turning her eyes instead to the rows upon rows of neatly stocked instrument parts and books of sheet music that ran parrallel the length of the small store.
"A violin, miss?" He grinned, casting her a cheery wink before turning toward the glass case behind the counter, unlocking it to lay bare the instruments inside. "For someone special, is it?"
She paused. Then, slowly, she nodded.
"For someone very special."
She emerged back into the chill of the street minutes later, a small smile on her lips and a gift-wrapped package under her arm. She hurried back along the sidewalk toward the stairs that lead down into the station, flat-packed snow crunching softly under her boots. She strode purposefully down into the cluttered dimness, against a tide of people emerging from a newly departed train, and toward the pillar by which he always stood. Instead of seating herself to the side, however, this time she moved to stand directly infront of him, clutching her package to her chest, watching him with her head held high and bright flames licking behind her eyes.
He waited until his melody had ended to acknowledge her - and when he raised his eyes to hers, she noted with surprise that the aura of warmth and inspiration around him had not died with the final notes. It held fast, shining from his implacable, ageless face.
Wordlessly, she held up the package, her fingers curled around its gift-wrapped neck. And then, slowly, deliberately, she began to tear the wrappings off until the rosey wood of the instrument gleamed naked, hanging from her hand like a stilled pendulum.
He watched, impassive, slowly lowering his violin from its place under his chin.
"This is not a gift," she said, her voice quiet and almost mocking, while her heart fluttered in her breast when she thought that this was the first time that he'd ever heard her voice. "It's an exchange. My violin - for yours."
She saw the smile in his eyes more than on his face - and she heard the laugh in his solemn voice as clearly as she'd heard the tinkling of Christmas bells on the street above.
"And why, miss," he asked in the quiet, breathy, unused voice of a man who has given his most eloquent form of speech to his music, "should I be tempted to trade?"
Her smile broadened gaily, and she tossed her hair back, never taking her eyes from his. "Because mine is worth more."
He chuckled, giving his wild head a shake. "You know better."
She nodded. "I do. But I still want yours. It's not the instrument that you care about - it's not that at all. It's the songs that you play that mean something, but that violin is a symbol to me, and I want it."
His eyes, clear as still river-water, twinkled.
"You see well, miss," he said, just as softly as before. "And you have good ears, too."
She laughed. "So will you trade?"
He considered her for a few moments, his fingers moving slowly over the length of his instrument. She had time only to realize that he was saying goodbye before he turned, the movement sudden and wild, to smash his violin against the stone pillar beside him. It snapped cleanly in two, the main body crashing to the tiles a few feet away. The neck and pegbox remained clutched in his hand as he turned back to her, smiling as serenely as he ever had. "You'll find your own, if you want to learn to play."
She nodded her understanding, her smile growing fixed, almost reverent as she reached out both hands, one to offer him the new violin, and the other to take the remnant of the old. "Perhaps I will."
His smile broadened, becoming the smile of an old friend - he was moving, his long fingers stroking the smooth wood of his new instrument, plucking gently at the strings as if they were acquainting themselves with a living being. And then he turned away from her, taking up his bow and preparing to play again.
She stood, staring at the broken fragment in her hand, her face devoid of any expression save for a slow, musing thoughtfulness. And then she raised her eyes to the back of his head.
"O, for a Muse of Fire," she said, slowly, softly, clearly.
He gave a little start, and turned to look at her over his worn, sloping shoulder. ". . . You know what that means, miss?"
Her lips curved into a slow, warm smile; she leant forward to press a kiss to his whiskery cheek.
"I'm beginning to," she whispered. Then she turned away, heading toward the stairs that would lead her back to the street above.
The sounds of his firesongs followed her as she emerged once again into the golden light.
End















Comments
Congrats on your use of imagery, you've got some nice use of figurative languaged weaved into your work which sets it out from the common. It's a real strength of yours, as well as producing an empathical link and rapport between your characters and audience. Thumbs up on these two!
Something you may want to watch (and its hard for me to admit because I do it so easily too) is that when you have such a command of words and good vocabulary to let things get complicated and lose your audience in the complexity. In no way am I saying that you should cut out -any- description - do not cut any out - but it might make things alittle easier if you broke down some of your sentences - some are alittle long!
Good work! Keep writing!
Sammi
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'Journalism is just a Gun. It's only got one bullet in it, but if you aim it right it's all you need. Aim it right and you can blow a kneecap off the World.'
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K.J.S.
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At the end of the game, the king and the pawn go back in the same box.
-Never Question the wisdom of the almighty Government.- Lynn Mills
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K.J.S.
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At the end of the game, the king and the pawn go back in the same box.
-Never Question the wisdom of the almighty Government.- Lynn Mills
And... well... damn. This is really good.
I have to disagree with Sammi up there--the writing style didn't even register for me, and I mean that in the most complimentary of ways. One thing that's been on my mind of late is that some of the point in writing, at least for me, is just to be able to get the story across. The best writing doesn't even strike you as words, because as you read it it's spinning images or emotions in your head. It's where writing ceases to be writing in favor of becoming a story.
If I read it as a journalist I might think differently--I've been both a creative writer and a journalistic writer. The point of a journalistic story, as I see it, is to get as much information across as you can, in as interesting a manner as you can, in as few words as possible. And I applaud you for not going that way.
You have to find a balance between the two, I think. Between ornate writing and bare-bones writing. It's a challenge that I've faced in my prose and I'm sure plenty of authors have. I think you did an excellent job of it; there are enough details to provide the skeleton and flesh it out a little, and the reader's mind easily takes that and paints in the details where they're needed, without even realizing they're doing it.
The one thing here that sort of sticks up the gears is when he smashes the old violin. It surprised me, and maybe that's a good thing. It made me sad. But I'm thinking of my own guitar, and thinking if I sat and played with the guitar as my sole company for so much time, I'd be hard pressed to destroy it. Maybe it's good. Maybe it's in keeping with the man's personality. I'm not sure. But I thought I'd mention it.
Over all, it left me with a good feeling, without that nasty syrupy aftertaste that so many happy endings have.
Um... I think this is the longest comment I've ever left. Cheers?
I do not think I have ever, in my entire life, read anything that beautiful. Ever. I can't even find the words to explain how it made me feel. There's all the analytical BS you can pile into it, but...I wouldn't want to degrade it that way.
Aside from all the fancy things I could say about the imagry and the word choice, the only thing that really matters...at least, to me...is that when he smashed the violin I felt like the bottom dropped out of my stomach.
This is mastery of language and story-telling, and I thank you from the bottom of my heart for sharing it with me.
CW
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"Lay down this book and reflect for five minutes on the fact that all the great religions were first preached, and long practiced, in a world without chloroform."--C.S. Lewis
[link] My webcomic. Doesn't everybody have one?
A muchly-deserved DD. I only wish I knew how to say more about it.
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T'is neither here nor there.
My entire life - short as it may be - has been devoted to playing, creating and listening to music as much as I can.
You have accurately depicted the relationship between a man and his instrument - the way we as musicians view things...
I wish I could be more eloquent, but this is stunning and equally inspiring.
Gorgeous, gorgeous work.
Thank you for sharing your talent with the rest of us.
--
Those who would sacrifice freedom for safety deserve neither.
Glory needs your help! [link]
Even a little will go a long way.
My heart fluttered as he broke the violin. A breath taking piece, I love it.
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Sarah!!
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